Field Effect Transistor
Jun 14, 2012 Three basic tricks that you can do with the Softube FET Compressor. The FET Compressor is available in the following plug-in formats: VST, VST3, AU, RTAS, TDM, AAX, AAX DSP and Propellerhead Rack. Overloud - Comp76 FET Compressor-Limiter (VST, VST3, AAX. DBX 160 Compressor/Limiter VST Plugin by Waves Top best Free compressor VST plugins with download links.
FET compressors, which stands for field effect transistor, are devices from the family of dynamic audio effects. So how did they come about? As small transistors began to replace large tubes, later compressor devices were based on field effect transistors. They are generally designed to preserve more transients and therefore to add more punch in comparison to variable – mu and VCA compressors. Usually the slowest attack time available on the FET compressor is faster than a fastest attack time on the variable mu compressor.
Apr 19, 2017 FET compressors, which stands for field effect transistor, are devices from the family of dynamic audio effects. So how did they come about? As small transistors began to replace large tubes, later compressor devices were based on field effect transistors. The FET Compressor is an impressively faithful modeling of a device loved for its aggressiveness and its tendency to add some tasty distortion to the sound source when driven hard. This compressor loves to be slammed and abused.
This is because of the FET component which is the core of their design. In addition, their character could be described as snappy. This results in very warm and rich sound character that comes in handy for drum sounds processing. In a FET compressor the side-chain is derived after the gain reduction stage. Needless to say, it’s very program dependent. This signal is then fed to a model of a FET transistor acting in its linear region.
1176 limiting amplifier by UREI
One of iconic audio compressor units of the above mentioned design was 1176 limiting amplifier by UREI. It instantly became famous because it offered lightning fast attack and release times. Besides its musical class, it offered a wide range of sound characters, anywhere from subtle, near-transparent, compression all the way to all-out drive and distortion. Bill Putnam, its original designer, was the first person in the US to use artificial reverberation using echo chambers for commercial recording.The 1176 limiting amplifier selling point was its ultra fast attack and release times. However, engineers soon found out that 1176 also injected character, attitude and vibe to anything which ran thru its circuitry. Some even used the 1176 with the compression turned off, just for the distinctive tone it imparts.
The unit’s amplifiers and transformers give a desirable “hot” quality to anything passing through them. One of the 1176’s famous features are its push-button selectable ratios of 4:1 and 8:1 for compression, and 12:1 and 20:1 for limiting. Furthermore, the “All Buttons In” mode, makes all of the ratio buttons depress simultaneously. This allows the 1176 to make a sound unlike any other processor heard before. Distortion increases, along with a plateaued slope and a lag time in response to initial transients. This creates an explosive sound on drum room mics, fuzzing-out bass or electric guitar sound. It can also squeeze a vocal to bring it in front and center of your mix.
Universal Audio (UAD)
Later on, there were many attempts to replicate the original 1176 sound. One of the closest replicas is the one by Universal Audio (UAD). In the Universal Audio version the signal level is sensed after gain reduction and used as a constant reference to improve stability. Additionally, UAD uses feedback in each of the amplifier stages. In order to reproduce the original 1176 faithfully, Universal Audio had to replicate the original integral output transformer. This provides a feedback signal to the final line output amplifier circuit. Putnam specified this transformer specially for the 1176 and his son, Bill Putnam Jr., was fortunate to find extensive design notes that enabled him to re-create and further improve the original design.
Additional Resources & Source Texts
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System requirements
- Mac OS X 10.12 or newer (older OS versions may work but are not tested).
- Windows 64-bit, versions 7, 8 or 10.
- Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
- Screen resolution 1280x800 or larger.
- 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space. Specific information available on each instrument's page).
- Softube account.
- iLok account.
- Internet access for downloading installer and managing licenses.
- iLok generation 2 and up, if you intend to use an iLok dongle for authorizing your plug-ins (note that an iLok dongle is not a requirement).
- In theory, any 64-bit VST, VST3, AU, or AAX (11.0.2 or higher) compatible host application should work.
However, due to plug-in host differences between DAWs - and our own rigorous testing standards - we only officially test our plug-ins and instruments in the most recent versions of Pro Tools, Logic Pro, Cubase, Live, Studio One, Digital Performer, Reaper and Sonar. Softube plugins are not tested in the non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.Please Note: Softube plug-ins support 64-bit hosts only, and a 64-bit OS is required. Therefore, for example, Pro Tools 10.x is no longer supported (contact support for latest 32-bit compatible instalers).Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo. Cooking fever unlimited gems apk download.The most recent maintenance release of the DAW application is recommended.AAX DSP is not in active development, but older products still support AAX DSP. For legacy TDM/VENUE, please see the Legacy Installers page.